Commercial Window Tinting in Dallas–Fort Worth — cooler, brighter, more private spaces

Commercial window film is priced by the square foot and depends on the film, the glass and access (ground floor vs. lifts). We do a free site survey and give you a written proposal with film specs and pricing — usually within a few days. Most commercial jobs we install run $8 to $25 per square foot installed; lifts and old-film removal are listed as separate line items.

Film rejects solar heat at the glass, which takes load off your HVAC in the rooms and zones that get the most sun. Savings depend on your glass, orientation and how the space is used, so we’ll point out the windows where film makes the biggest difference.

No. Ceramic films like XPEL Clear View Plus come in light shades such as 70%, so you cut heat and glare while keeping natural light — the same film we installed at Hilton Southlake and a Frisco flower shop.

Yes. We schedule around your business hours, work zone by zone, protect desks and displays, and clean up as we go. Many offices stay open the whole time.

Yes. Frosted and decorative film gives permanent privacy (we’ve done it for PepsiCo’s Frisco offices), and switchable smart film lets a conference room go from clear to private at the touch of a button.

Window film blocks over 99% of UV, the main cause of fading on merchandise, carpet, furniture and finishes.

Yes. Security film bonds to the glass and helps it hold together after an impact or attempted break-in, and safety film reduces the risk of flying glass. It can be combined with solar control.

Quality architectural films are built to last many years and are backed by the manufacturer’s commercial warranty. We go over the coverage for your specific film in your proposal. The XPEL and 3M architectural films we install carry 10-year and 12-year commercial manufacturer warranties, depending on the film.

Yes. We provide the film name, performance specs and samples so your landlord, property manager or association can approve the film before install.

Call (469) 831-3101 or use the form at the top of this page. We’ll set up a free site survey, look at your glass and how the sun hits it, and send a written proposal.

On single-pane glass, a GSA Proving Ground study measured by Lawrence Berkeley National Laboratory at the Earle Cabell Federal Building in Dallas found about 29% lower perimeter HVAC energy, with a two-to-six-year payback. Dual-pane and low-e glass save less. We tell you at the survey which elevations are worth filming.

Usually, yes. Most commercial leases treat window film as an alteration, and many landlords want to keep a uniform look from the street. We give you the film name, a sample and the manufacturer spec sheet so approval is a quick email instead of a back-and-forth.

Yes. For restaurants, medical offices and retail, we often install before opening, after close or on a weekend so nobody has to work around us. We include the after-hours timing in the written proposal.

Often, yes. Some film and glass combinations trap too much heat in the glass, so we check the glass type and the manufacturer’s film-to-glass guidance before we recommend anything. If a window is not a good candidate, we say so.

Frosted (decorative) film is a permanent etched-glass look that blocks the view both ways while letting light through. Privacy solar film is a darker or reflective film that hides the inside during the day but not at night. Smart film is switchable: clear when it is powered and frosted when it is off, so a conference room can be private on demand.

Yes. Storefront doors, sidelights, transoms and glass vestibules get the same film as the rest of the elevation, so the whole front reads as one piece. Door glass with frames that are hard to reach is measured at the site survey.

Yes. We have filmed hotel properties, office buildings and multifamily buildings across DFW, and we can phase a large job by floor or elevation so the building stays in business. For multi-location companies we use the same film spec at every site so the look is consistent.

We are an authorized XPEL dealer and a 3M Authorized Window Film Dealer, so every roll is genuine and carries a 10-year or 12-year commercial manufacturer warranty. We match the product to the job rather than selling one brand for everything.

No. Security film is designed to hold shattered glass together and slow forced entry, not to stop bullets. Bullet-resistant glazing is a different product. What security film does well is turn a quick smash-and-grab into a slow, noisy job and keep broken glass from spraying across the floor.

On the inside for almost every commercial job, which protects the film from weather and keeps it looking new longer. Exterior films exist for glass that cannot be reached from inside, like some curtain walls, and we use them only when there is no interior option.

Ceramic films like XPEL Clear View Plus are metal-free, so they have no effect on wireless signals. Heavily metallized reflective films can reduce signal slightly on glass-heavy buildings. If your space depends on a cellular booster or wireless point-of-sale, tell us at the survey and we will steer you to a non-metal film.

Yes. Professionally installed film can be removed by a technician with heat and a scraper, and the glass is cleaned back to its original condition. We also remove old, failed film before installing new ceramic film.

Not the films we install. Purple tint and bubbling come from cheap dyed films and poor installs. XPEL and 3M architectural films are color-stable and backed by the manufacturer’s commercial warranty; small water pockets in the first days after install are normal and dry out as the film cures.